Essays

On art and coaching.

Working notes from building THE WALK: how a photograph asks a question, how a coach holds a silent room, and what the practice can and cannot do. Written by Iman Abrishamchi, curator.

6 November 20268 min

A leadership team in front of one picture

The walk is a public practice. Its mechanics also work in a boardroom, with one image and ninety minutes, if the coach is willing to run it as coaching and not as an icebreaker.

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27 October 20268 min

Choosing images for a walk

What makes a photograph work as a coaching instrument rather than a picture on a wall. The checklist we use, and the pictures it rejects.

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14 October 20267 min

Notes from the tenth of October

Fourteen rooms, twelve countries, one day. What the format held, what strained, and what we are changing before January.

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8 October 20267 min

What art cannot do, and why we say so out loud

Two days before fourteen rooms open, a note on the limits. A walk is prevention and community, not treatment, and the difference has to be visible to everyone in the room.

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1 October 20269 min

From the wall to the circle

Forty minutes of silent looking, then forty minutes of group coaching. The second half only works if the first half is protected, and the hand-off is where most of the craft lives.

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21 September 20266 min

Silence is the facilitation

New hosts ask what they should say during the walk. The answer is nothing, and it takes some training to be able to say nothing well.

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9 September 20267 min

Epoché in the gallery

Husserl asked philosophers to bracket what they thought they knew. A coach standing beside someone in front of a picture has to do it in real time.

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31 August 20268 min

The question under the picture

Twenty words at most, no verb that tells the viewer what to feel, and nothing in it the coach would need to explain. How we wrote the twenty questions.

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19 August 20267 min

Slow looking is a coaching skill

Visitors spend a few seconds in front of a painting. Coaches spend a few seconds in front of an answer. Both can learn to stay.

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10 August 20266 min

What a photograph can ask that a coach cannot

The best question in a coaching session is often one the client would refuse if a person asked it. An image gets away with it.

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